Christian Duka is a multifaceted music and sound artist who works primarily with spatial audio. He has collaborated with a wide range of artists across various disciplines, from free improvisation to contemporary digital dance to experimental and dance electronic music.
Notable collaborative projects include the interdisciplinary work "UR: Human Presence" with Jose Macabra, Pell Ensemble, and Elyssavet Sfyri, the spatial drone-bath performance "The Listening Body" with Hems, Merkaba Macabre, and Pascal Savy, a series of live performances in collaboration with free improvisers such as John Butcher, Ute Kanngiesser, Lucie Stepankova, David Toop, Sharon Gal, and Aimee Theriot (4DSOUND), exploring the fusion of free improvisation and live electronics in three-dimensional audio, and the electronic music projects MARMO & Vādin with Marco Maldarella and Avsluta, respectively, with releases on various international record labels (Utter, Offen, Area127, Secuencias Temporales).
Beyond his own artistic projects, he taught electronic music, audio production and sound design at SAE London and Greenwich University and founded Amoenus, a non-profit organization that promotes and supports spatial sound in immersive arts through residency programs, workshops, and public events.
︎ duka.christian@gmail.com
Notable collaborative projects include the interdisciplinary work "UR: Human Presence" with Jose Macabra, Pell Ensemble, and Elyssavet Sfyri, the spatial drone-bath performance "The Listening Body" with Hems, Merkaba Macabre, and Pascal Savy, a series of live performances in collaboration with free improvisers such as John Butcher, Ute Kanngiesser, Lucie Stepankova, David Toop, Sharon Gal, and Aimee Theriot (4DSOUND), exploring the fusion of free improvisation and live electronics in three-dimensional audio, and the electronic music projects MARMO & Vādin with Marco Maldarella and Avsluta, respectively, with releases on various international record labels (Utter, Offen, Area127, Secuencias Temporales).
Beyond his own artistic projects, he taught electronic music, audio production and sound design at SAE London and Greenwich University and founded Amoenus, a non-profit organization that promotes and supports spatial sound in immersive arts through residency programs, workshops, and public events.
︎ duka.christian@gmail.com
Christian Duka is a multifaceted music and sound artist who works primarily with spatial audio. He has collaborated with a wide range of artists across various disciplines, from free improvisation to contemporary digital dance to experimental and dance electronic music.
Notable collaborative projects include the interdisciplinary work "UR: Human Presence" with Jose Macabra, Pell Ensemble, and Elyssavet Sfyri, the spatial drone-bath performance "The Listening Body" with Hems, Merkaba Macabre, and Pascal Savy, a series of live performances in collaboration with free improvisers such as John Butcher, Ute Kanngiesser, Lucie Stepankova, David Toop, Sharon Gal, and Aimee Theriot (4DSOUND), exploring the fusion of free improvisation and live electronics in three-dimensional audio, and the electronic music projects MARMO & Vādin with Marco Maldarella and Avsluta, respectively, with releases on various international record labels (Utter, Offen, Area127, Secuencias Temporales).
Beyond his own artistic projects, he taught electronic music, audio production and sound design at SAE London and Greenwich University and founded Amoenus, a non-profit organization that promotes and supports spatial sound in immersive arts through residency programs, workshops, and public events.
︎ duka.christian@gmail.com
Notable collaborative projects include the interdisciplinary work "UR: Human Presence" with Jose Macabra, Pell Ensemble, and Elyssavet Sfyri, the spatial drone-bath performance "The Listening Body" with Hems, Merkaba Macabre, and Pascal Savy, a series of live performances in collaboration with free improvisers such as John Butcher, Ute Kanngiesser, Lucie Stepankova, David Toop, Sharon Gal, and Aimee Theriot (4DSOUND), exploring the fusion of free improvisation and live electronics in three-dimensional audio, and the electronic music projects MARMO & Vādin with Marco Maldarella and Avsluta, respectively, with releases on various international record labels (Utter, Offen, Area127, Secuencias Temporales).
Beyond his own artistic projects, he taught electronic music, audio production and sound design at SAE London and Greenwich University and founded Amoenus, a non-profit organization that promotes and supports spatial sound in immersive arts through residency programs, workshops, and public events.
︎ duka.christian@gmail.com